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Enjoying our content? As a result, Margaret took refuge in a world of make believe and dreamed of becoming a great star of musical comedy. It became her trade mark and the impudent ornament of her most outragous film "The Wicked Lady", again opposite Mason, in which she played the ultimate in murderous husband-stealers, Lady Skelton, who amuses herself at night with highway robbery. Lockwood attended drama school from the age of five and following her parents divorce was just 12 when cast as the star of Heidi for a 1953 childrens TV serial. For the remaining years of her life, she was a complete recluse at her home in Kingston upon Thames, rejecting all invitations and offers of work. Italia Conti Drama School. Seven ingenue screen roles followed before she played opposite Maurice Chevalier in the 1936 remake of "The Beloved Vagabond". But what better way to hide one of those "disfiguring scars" than with a cleverly placed beauty mark? Registered charity 287780, Watch Margaret Lockwood films on BFI Player, In praise of 1940s icon and Lady Vanishes star Margaret Lockwood. Speaking candidly with the magazine, Crawford did admit that she's still not sure if she'd have added a beauty mark if "designing [her] face from scratch." She was meant to make film versions of Rob Roy and The Blue Lagoon[19] but both projects were cancelled with the advent of war. Before long, mouches made their way into politics. This was her first opportunity to shine, and she gave an intelligent, convincing performance as the inquisitive girl who suspects a conspiracy when an elderly lady (May Whitty) seemingly disappears into thin air during a train journey. Margaret scored another hit with Bedelia (1946), as a demented serial poisoner, and then played a Gypsy girl accused of murder in the Technicolor romp Jassy (1947).As her popularity waned in the 1950s she returned to occasional performances on the West End stage and appeared on television, making her greatest impact as a dedicated barrister in the ITV series Justice (1971), which ran from 1971 to 1974. before completing her training at the Royal Academy of Dramatic Art. This article was most recently revised and updated by, https://www.britannica.com/biography/Margaret-Lockwood, Margaret Lockwood - Student Encyclopedia (Ages 11 and up). Rank was to put her in an adaptation of Ann Veronica by H. G. Wells but the film was postponed. MICHAEL REDGRAVE & MARGARET LOCKWOOD Character (s): Gilbert & Iris Henderson Film 'THE LADY VANISHES' (1938) Directed By ALFRED HITCHCOCK (Allstar/GAINSBOROUGH) SHE was the Queen Of The Silver . That's right ladies, moles are beautiful. Jennifer Lawrence, for instance, has been dubbed the"mole-iest" not most beauty-marked sex symbol of all time by Slate because her pigmented spots happened to land not just on her face, but on her neck and chest as well. She called it My first really big Picture. "I like moles. "[8] Gaumont increased her contract from three years to six.[10]. As both parents were rarely around at that point, Julia spent the war years with her grandmother and a nanny. After poisoning several husbands in Bedelia (1946), Lockwood became less wicked in Hungry Hill, Jassy and The White Unicorn, all opposite Dennis Price. Her most popular roles were as the spunky heroine of Alfred Hitchcocks mystery The Lady Vanishes (1938) and as the voluptuous highwaywoman in the costume drama The Wicked Lady (1945). Streamline your workflow with our best-in-class digital asset management system. Lockwood had a small role in The Amateur Gentleman (1936), another with Fairbanks. The turning point in her career came in 1943, when she was cast opposite James Mason in "The Man in Grey", as an amoral schemer who steals the husband of her best friend, played by Phyllis Calvert, and then ruthlessly murders her. Seventy years ago, the British film industrys comparatively modest version of the Hollywood studio system meant that the national cinema had not, like MGM alone, more stars than there are in heaven, but enough to make up a small glittering constellation. While much of the world in Shakespeare's time was focused on "spotless beauty," the poet and playwright found imperfection to be rather stunning. It's all Marilyn Monroe's fault," singer Kelly Rowland told People. [45] Lockwood said Wilcox and his wife Anna Neagle promised from signing the contract "I was never allowed to forget that I was a really bright and dazzling star on their horizon. Your email address will not be published. The Truth About Beauty Marks. she made her stage debut at 15 as a fairy in " A Midsummer Night's Dream" at the Holborn Empire. [28] It was the last of "official" Gainsborough melodramas the studio had come under the control of J. Arthur Rank who disliked the genre. Seven ingenue screen roles followed before she played opposite Maurice Chevalier in the 1936 remake of The Beloved Vagabond. 10-06-22 . Lockwood never remarried, declaring: "I would never stick my head into that noose again," but she lived for many years with the actor, John Stone, whom she met when they appeared together in the 1959 stage comedy, "And Suddenly It's Spring". Who knew the social science behind moles could be so complicated? Margaret Lockwood. Margaret Lockwood moved out of 30 Highland Rd, London in 1937. [43], Eventually her contract with Rank ended and she played Eliza Doolittle in George Bernard Shaw's Pygmalion at the Edinburgh Festival of 1951. She complained to the head of her studio, J. Arthur Rank, that she was "sick of sinning", but paradoxically, as her roles grew nicer, her popularity declined. She was reunited with her mother on TV in The Royalty (1957-58), as mother and daughter Mollie and Carol running a posh London hotel, and its 1965 sequel, The Flying Swan. While Biography stated that no one truly knows if Monroe's beauty mark was real, drawn on, or accentuated with makeup, one thing is for sure: she helped propel the look into mainstream. Margaret Lockwood lived at 18a Highland Rd, London. Her RADA-trained voice was posh, of course, but not supercilious. She preferred to drink hot chocolate, buying 60 After becoming a dance pupil at the Italia Conti school. Did anyone tell you what a slut you are? Grangers Rokeby says to Hesther in The Man in Grey, before slapping her; the accusation doesnt perturb her since she uses sex to rise in society. They appeared together again in the romantic melodrama The White Unicorn (1947). Please like & follow for more interesting content. Cinema Personalities, pic: circa 1949, British actress Margaret Lockwood, a leading lady one of the cinema's most popular villianesses of the 1940's British actress Margaret Lockwood plays outdoors with her 5-year-old daughter Julia, who later followed her mother into show business. Stone appeared with her in her award winning 1970s television series, Justice, in which she played a woman barrister, but after 17 years together, he left her to marry a theatre wardrobe mistress. InBernard KnowlessThe White Unicorn(1947), she andJoan Greenwoodwere cast as women of different social backgrounds a warden at a home for delinquent girls and a troubled teenage mother whose reminiscences reveal that female suffering isendemic. With Margaret Lockwood, James Mason, Patricia Roc, Griffith Jones. Innogen from the play "Cymbeline" proves this to be true as she just so happened to have a facial mole, or, beauty mark. While vascular birthmarks like stork bites and strawberry marks are always something a person is born with, and therefore a real-deal birthmark, pigmented spots like moles are a bit more nuanced. Much of Shakespeare's work features "figures who are, in the perception of age, 'stained,' and yet whose stain is part of their irresistible, disturbing appeal," according to Greenblatt. [12], She followed this with A Girl Must Live, a musical comedy about chorus girls for Black and Reed. One of those famous faces was Marilyn Monroe. [1] She returned to England in 1920 with her mother, brother 'Lyn' and half-brother Frank, and a further half-sister 'Fay' joined them the following year, but her father remained in Karachi, visiting them infrequently. She had one last film role, as the stepmother with the sobriquet, wicked, omitted but implied, in Bryan Forbess Cinderella musical The Slipper and the Rose in 1976. One of Britain's most popular film stars of the 1930s and 1940s, her film appearances included The Lady Vanishes (1938), Night Train to Munich (1940), The Man in Grey (1943), and The Wicked Lady (1945). An unpretentious woman, who disliked the trappings of stardom and dealt brusquely with adulation, she accepted this change in her fortunes with unconcern, and turned to the stage where she had a success in "Peter Pan", "Pygmalion", "Private Lives", and Agatha Christie's thriller "Spider's Web", which ran for over a year. [9] This movie was a hit and launched Lockwood as a star. In contrast, even natural moles were looked at as "a mark of disgrace," Madeleine Marsh, author of The Compacts and Cosmetics: Beauty from Victorian Times to the Present Day, explained toBBC. However she was soon to suffer what has been called "a cold streak of poor films which few other stars have endured. Beautician, Beauty Salon, Barber, Hair Stylist. This inspired the Yorkshire Television series Justice, which ran for three seasons (39 episodes) from 1971 to 1974, and featured her real-life partner, John Stone, as fictional boyfriend Dr Ian Moody. It became her trade mark and the impudent ornament of her most outrageous film, The Wicked Lady, again opposite Mason, in which she played the ultimate in murderous husband-stealers, Lady Skelton, who amuses herself at night with highway robbery. Required fields are marked *. In 1944, in "A Place of One's Own", she added one further attribute to her armoury: a beauty spot painted high on her left cheek. This naturally raises the question: Why are there two different names? When I marry, I shall have a large family. This was the inspiration for the three-season (39 episodes) Yorkshire Television series Justice, which aired from 1971 to 1974. Her final stage appearance, as Queen Alexandra in "Motherdear", ran for only six weeks at the Ambassadors' Theatre in 1980. In 1938, Lockwood's role as a young London nurse in Carol Reed's film, "Bank Holiday", established her as a star, and the enormous success of her next film, "The Lady Vanishes", opposite Michael Redgrave, gave her international status. To use social login you have to agree with the storage and handling of your data by this website. After what she regarded as her mothers painful betrayal at the custody hearing, the two women never met again, and when a friend complimented Mrs Lockwood on her daughters performance in The Wicked Lady, she snapped: That wasnt acting. Lockwood wanted to play the part of Clarissa, but producer Edward Black cast her as the villainous Hesther. Lockwood discusses her upbringing in a Boston area Irish family and her early . [17][18], Lockwood returned to Britain in June 1939. In 1938, she gave her best performance in the movie Bank Holiday; the film launched Lockwoods career. Karachi-born Margaret Lockwood, daughter of a British colonial railway clerk, was educated in London and studied to be an actress at the Italia Conti Drama School. Privacy Policy. [1] In 1932 she appeared at the Theatre Royal, Drury Lane in Cavalcade. "[14], Gaumont British had distribution agreements with 20th Century Fox in the US and they expressed an interest in borrowing Lockwood for some films. In the 1969 television production Justice is a Woman, she played barrister Julia Stanford. A year later, she married a man of whom her mother disapproved strongly, so much so that for six months Margaret Lockwood did not live with her husband and was afraid to tell her mother that the marriage had taken place. She was 73 years old. Each time I play him, I discover hidden things I never thought of before, she enthused. She likes what she likes, okay? Allied to this is the fact that she photographs more than normally easily, and has an extraordinary insight in getting the feel of her lines, to live within them, so to speak, as long as the duration of the picture lasts. The Lady Vanishes: The Criterion Collection [Blu-Ray]. While a real mole's shape is fixed, a mouche could be designed in a variety of styles. Instead she was a murderess in Bedelia (1946), which did not perform as well, although it was popular in Britain.[27]. Size: 46 Pages, Transcript. We provide you with all the necessary resources to help you achieve your income goals! When peace came, her mother was keen for her daughter to follow in her footsteps. Barbara insouciantly dons the costume and pistols of a villainous male archetype associated with sexual conquests: the assumption of a highwaymans costume connotes both womens assumption of dangerous jobs formerly done by men and their liberation as sexually independent beings, both products of the war. Her contract with Rank was dissolved in 1950 and a film deal with Herbert Wilcox, who was married to her principal cinema rival, Anna Neagle, resulted in three disappointing flops. "[39], She returned to film-making after an 18-month absence to star in Highly Dangerous (1950), a comic thriller in the vein of Lady Vanishes written expressly for her by Eric Ambler and directed by Roy Ward Baker. These films have not worn particularly well, but. Margaret Lockwood | British actress | Britannica Boards are the best place to save images and video clips. Named her after Gaio Giulio Cesare to commemorate her birth by Caesarian operation. Lee dropped out and was replaced by Lockwood. They write new content and verify and edit content received from contributors. And I loved it. The sexual privation suffered by women whose men were fighting overseas contributed to Lockwood and Mason, the fiery adulterous lovers of the 1943 Gainsborough gothic classicThe Man in Grey, replacingGracie FieldsandGeorge Formbyas the countrys top box office stars that year. Back at Gainsborough, producer Edward Black had planned to pair Lockwood and Redgrave much the same way William Powell and Myrna Loy had been teamed up in the "Thin Man" films in America, but the war intervened and the two were only to appear together in the Carol Reed-directed The Stars Look Down (1940).
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